The location sound recordist of today demands more facilities and control from a portable mixer. Following years of research the design team that produced some of the most successful portable mixers in the world has created the AD149. It sets a new standard for the twenty-first century by offering a degree of sophistication together with a simplicity of operation never previously encountered in a mixer of its type or size.
Take for granted the functions and qualities that have made Audio Developments famous world-wide for sound quality and ruggedness.
Features
– Limiter on each input (adjustable). Release, attack & threshold are set via presets
– Insert point on inputs
– Direct output from each Mic/Line input module
– Three-band equalizer with a choice of four center frequencies in the MF section
– Transformer balanced inputs and outputs (main and auxiliary)
– Two main outputs and two auxiliaries
– Limiter on L & R outputs. Can be linked for stereo operation
– M-S stereo facilities in main and monitor signal paths
– Comprehensive monitor selection
– Two monitor outputs for headphones or speaker amplifiers
– Two communication outputs and one return
– Selection of monitor feeds to communication outputs
– Remote start facility
– Ten pin multiway connectors for output and returns
– Six pin multiway connector for outputs and returns, buffered for use with DAT
– Fifteen way D connector for feeding equipment such as a meter bridge (AD096)
– A pair of meters – either PPM or VU – may be switched to read various outputs or follow the monitor
– Internal oscillator, 1kHz & 10kHz, selectable to L-R and/or auxiliary outputs. Interrupted tone is optional on the left path
– All connectors are presented on one surface of the case and in line with the corresponding module
REFERENCE 0db=775mV at 1kHz unless otherwise stated
MAX GAIN MIC 80dB
LINE 45dB
MAX INPUT LEVEL MIC @ MAX GAIN -42dB @ MIN GAIN 0dB
LINE @ MAX GAIN -7dB @ MIN GAIN +24dB
STEREO-RETURNS +18dB
INSERT RETURN +18dB
EXT 1 RETURN +18dB
INPUT IMPEDANCE MIC >1k5R
LINE >10kR
STEREO-RETURNS >50kR
INSERT RETURN >10kR
EXT 1 RETURN >100kR
MIC POWERING 48V PHANTOM & 12V TONADER
MAX OUTPUT +24dBm (600R LOAD) L-R TRANSFORMER BAL
+24dBm (600R LOAD) AUX 1&2
TRANSFORMER BAL
+18dBm (600R LOAD) MONITOR 1&2 UNBALANCED
+18dBm (600R LOAD) EXTERNAL 1&2 UNBALANCED
+18dBm (600R LOAD) INSERT SEND UNBALANCED
+18dBm (600R LOAD) CLEAN FEED UNBALANCED
OUTPUT IMPEDANCE
FREQUENCY 0: -1dB 20Hz to 20kHzL-R and AUX 1&2
RESPONSE 0: -1.5dB 20Hz to 20kHz MONITOR 1 & 2
HARMONIC DISTORTION
OVERLOAD INDICATOR ILLUMINATES @ +15dB at the
PRE-FADER POINT
CROSSTALK < -70dB 40Hz to15kHz
INTERCHANNEL & INTERGROUP
NOISE MIC
LINE >70dB SNR 20Hz to 20kHz
EQUALISATION HF: ±10dB @ 10kHzVARIABLE SLOPE
±15dB MAX @ 15kHz
LF: ±10dB @ 100Hz VARIABLE TURNOVER
±15dB MAX @ 30Hz
MF: ±15dB PEAK & DIP RECIPROCAL Q=1.2
CENTRE FREQ = ±18dB @ 1k4Hz
MF1 = ±18dB @ 1k8Hz
MF2 = ±18dB @ 2k3Hz
MF1 + MF2 = ±18dB @ 3k8Hz
HPF 1: PRE-TRANSFORMER 12dB/OCTAVE
-3dB @ 150Hz
HPF 2: -3dB @ 90Hz 12dB/OCTAVE
HPF 1+ HPF 2 : REFER TO CURVES
OUTPUT LIMITER THRESHOLD +8dB
RATIO 7 : 1
ATTACK -2 SETTINGS INTERNALLY SWITCHABLE
1 : 4ms 2 : 0.8ms
RELEASE 2 SETTINGS
INTERNALLY SWITCHABLE
1 : 250ms 2 : 80ms
MIC/LINE LIMITER THRESHOLD +0dB
RATIO 7 : 1
ATTACK COUNTER- CLOCKWISE 0.5ms
CLOCKWISE 10ms
CENTRE 4ms
RELEASE COUNTER- CLOCKWISE 10ms
CLOCKWISE 700ms
CENTRE 300ms
FACTORY SETTINGS FOR ATTACK AND RELEASE TIMES:
OUTPUT LIMITER: SLOW
MIC/LINE LIMITER: CENTRE
CURRENT CONSUMPTION 8 INPUT 370mA